probably influenced by alchemical treatises moving more and more towards the end of Quattriocento, Leonardo realized the living image of Sophia: the Mona Lisa.
Mona Lisa in his body synthesizes the processes of transformation of the vegetative, sensitive soul, and then in the intellectual, while his face expresses the passive intellect of the soul (the nous), call greek "Pathetique". Cultivating inner silence (the Mona Lisa is deaf and dumb, while in the same year Raphael painted the suit), the soul intellectual perceives the external world as a reflection of the inner.
Aristotle says that the passive part of the Nous is like a wax tablet on which are engraved the signs of the stylus, and is the heart (the self principled) to transmit data, feelings, memories, emotions, feelings and experiences.
The connection between the brain and the heart "is passive in the activity of introspection, projection, meditation and visualization of images, which takes place in a phenomenon of" feedback "of everything that has been studied, seen and experienced in ' existence.
The artist, immersing himself deeply in the work (the drip tombstone), he created a synthesis unit reality of the "subjective and objective," which is itself an act of knowledge. This act is unique, compelling and can only describe a step in the path of revelation of truth which it bears the soul alchemy.
0 comments:
Post a Comment