http://it.youtube.com/watch?v=YH97W8AEM3A
Friday, October 31, 2008
Css Launch Options Heapsize
Piramidi - Gli egizi e le stelle 4/4 - Annunaki Nibiru
http://it.youtube.com/watch?v=YH97W8AEM3A
http://it.youtube.com/watch?v=YH97W8AEM3A
How To Install Mods To Simcity 4
Piramidi - Gli egizi e le stelle 3/4 - Annunaki Nibiru
http://it.youtube.com/watch?v=pDjWVUSj5wU
http://it.youtube.com/watch?v=pDjWVUSj5wU
Gameshark Snapshot Harvest Moon
Piramidi - Gli egizi e le stelle 2/4 - Annunaki Nibiru
http://it.youtube.com/watch?v=mC61ZarTuKE
http://it.youtube.com/watch?v=mC61ZarTuKE
Sorority After Initiation Ideas
Piramidi - Gli egizi e le stelle 1/4 - Annunaki Nibiru
http://it.youtube.com/watch?v=ZjIPIPXEm1U
http://it.youtube.com/watch?v=ZjIPIPXEm1U
Wednesday, October 29, 2008
What Is The Meaning Of Tender Breast
Cleopatra
Cleopatra VII was born in Alexandria in 69 BC by one of two marriages Neodioniso Ptolemy XII (80-51 BC) said "Aulete" (the "flute"), a lover of wine and music.
It is said that Cleopatra was a woman is not very nice, but nice, intelligent, smart, determined and ruthless. All ideal qualities to rule a kingdom like that of Egypt.
When his father died in 51 BC, Cleopatra was 18 years and is on the throne of Egypt with her brother Ptolemy XIII of only 10 years. Rome Pompey appoint guardian of Ptolemy XIII. Among the brothers there is a deep hatred that leads to the will of the powerful eunuch Photinus, nell'allontanamento da palazzo di Cleopatra che decide di rifugiarsi in Siria ed inizia ad organizzare un proprio esercito.
In quel periodo a Roma scoppiò una guerra civile tra Giulio Cesare e Pompeo. I due si inseguirono fino in Egitto dove quest'ultimo fu assassinato dai cortigiani di Tolomeo XIII, forse per ingraziarsi Giulio Cesare. Quest'ultimo si stabilì nel palazzo di Alessandria dove convocò Tolomeo XIII e Cleopatra per porre fine ai conflitti dinastici. Cleopatra, per paura di essere uccisa dagli uomini di suo fratello, arrivò a Palazzo a bordo di una brigantino condotto da un suo servo fidato, Apollonio Siciliano, attraccò proprio sotto le mura e, quindi, si introdusse avvolta in un carpet led by Apollodorus shoulders. Caesar reached the apartment the carpet was laid down and rolled left astonished the Roman king. The meeting ended with the reconciliation of the parties but, in reality, the government of Egypt was in the hands of Cleopatra. The queen of Egypt was able to converse without the aid of interpreters, with the Ethiopians, Troglodytes, Syrians, Arabs, Jews, and Medi Parties and many other languages \u200b\u200bincluding, of course, the Egyptian and Greek. Caesar, Cleopatra hit the audacity and cunning, was completely won over by its charm. Cleopatra Caesar took the road along the Nile to show the beauty of Egypt. During the trip the queen becomes pregnant and gives birth to a son male named Ptolemy XV Caesarion and that was the only male heir of Caesar. Caesar, who soon after had to leave for Syria, he could make Egypt a Roman colony like many others, but for the love of Cleopatra, killed Ptolemy XIII drowned in the river making it and left only his beloved queen of Egypt. To stay close to Caesar, but also for political purposes, he moved to Rome, where Cleopatra, however, is inhospitable reception of the Romans.
Cleopatra, by this decision, intended to allow the son Caesarion, when Caesar died, to settle on the throne of an empire as great as that of Alexander the Great was born from the union of Rome with Egypt.
The disappointment of the Roman people born in the senate and disputes arising in the murder of Julius Caesar. Mark Antony, an ally of Caesar, Ptolemy XV Caesarion proclaimed heir of Julius Caesar in front of the Senate, but Octavian is opposed him claiming to be the legitimate successor to the throne.
In this turbulent climate, Cleopatra decides to return to Egypt where he found an economy in crisis and the Egyptian people reduced to slavery by the Greeks who, in turn, lead a luxurious life and power. Cleopatra does not change this setting, but makes it more acceptable to the Egyptians easing taxes and improving the level of life. To boost trade riapre l'antica via carovaniera dal Nilo al mar Rosso facendola proteggere con torri di guardia dislocate lungo il percorso e visibili tra loro in modo da permettere la comunicazione in caso di agguati. Da questa via viene importato il porfido che verrà poi utilizzato dai Romani per costruire le statue degli imperatori.
Nel frattempo Marco Antonio diviene padrone dell'Impero Romano d'Oriente, mentre Ottaviano governa l'Europa Occidentale. Tra i due c'è molta rivalità, ma anche odio che li mette in conflitto più volte. Marco Antonio, per sconfiggere il nemico Ottaviano, ha bisogno dei tesori dell'Egitto e quindi convoca Cleopatra a Tarso, sulla costa turca. Si dice che la loro relazione iniziò dopo che Cleopatra si presentò ad un invito di Marco Antonio in Cilicia su un'imbarcazione dalle vele color porpora, la poppa d'oro e i remi d'argento. La regina, vestita come una Venere e accompagnata dal suono di flauti e liuti, stava distesa all'interno di un baldacchino circondato da amorini. Nel corso dell'incontro, Cleopatra si innamora di Antonio da cui avrà due gemelli, ma che poi deve lasciarla per partire in guerra. Cleopatra saprà del matrimonio del suo innamorato con un'altra donna. In questo momento di dolore e solitudine, Cleopatra riscopre l'antica religione egizia facendosi promotrice di preghiere, riti e donazioni agli Dei ormai abbandonate da anni. Dopo 3 anni, Marco Antonio, nonostante le molteplici insistenze della sua prima moglie Then the second wife Fulvia and Octavia, back to Cleopatra for the riches of Egypt. Cleopatra, too smart to show all his pain, give up the treasures of his kingdom in return for specific promises. So the lands of Arabia, the copper mines of Cyprus, the Sinai, Armenia and the wheat fields around the northern Africa belong to Rome, passing under the Egyptian government. Roma is furious, all the lands conquered by the blood of the Romans ceded to the queen who has never accepted.
Ottaviano advantage of the situation an attack on Mark Antony at the Battle of Actium. Cleopatra, in an unusual manner, follows Antonio fight side by side in the Egyptian vessels, but soon forced to withdraw. Given the progress of the battle Cleopatra retired to Alexandria, he decided to flee from Egypt, but during the preparations for departure, is surprised by Abatei, long subjugated to his power, which prevent the escape. The troops of Octavian, who had meanwhile put to flight the fleet of Mark Antony, threatening approach in Alexandria. Marco Antonio, who took refuge in the palace with Cleopatra kills herself with his sword and dies in the arms of the Queen of Egypt. Fearing that he attempted suicide Cleopatra, Octavian, now master of Alexandria, makes sure that each brought to the queen is carefully controlled. On 12 August 30 BC, however, a farmer can get her a basket of figs that hides a snake. Cleopatra, conscious of the presence of the cobra, is bitten and dies before the arrival of Octavian thus avoiding the humiliation of being defeated. His son was killed by Octavian Caesarion, while the other two twin children disappear without a trace. By this time, Egypt became a mere province of the Roman Empire.
Cleopatra VII was born in Alexandria in 69 BC by one of two marriages Neodioniso Ptolemy XII (80-51 BC) said "Aulete" (the "flute"), a lover of wine and music.
It is said that Cleopatra was a woman is not very nice, but nice, intelligent, smart, determined and ruthless. All ideal qualities to rule a kingdom like that of Egypt.
When his father died in 51 BC, Cleopatra was 18 years and is on the throne of Egypt with her brother Ptolemy XIII of only 10 years. Rome Pompey appoint guardian of Ptolemy XIII. Among the brothers there is a deep hatred that leads to the will of the powerful eunuch Photinus, nell'allontanamento da palazzo di Cleopatra che decide di rifugiarsi in Siria ed inizia ad organizzare un proprio esercito.
In quel periodo a Roma scoppiò una guerra civile tra Giulio Cesare e Pompeo. I due si inseguirono fino in Egitto dove quest'ultimo fu assassinato dai cortigiani di Tolomeo XIII, forse per ingraziarsi Giulio Cesare. Quest'ultimo si stabilì nel palazzo di Alessandria dove convocò Tolomeo XIII e Cleopatra per porre fine ai conflitti dinastici. Cleopatra, per paura di essere uccisa dagli uomini di suo fratello, arrivò a Palazzo a bordo di una brigantino condotto da un suo servo fidato, Apollonio Siciliano, attraccò proprio sotto le mura e, quindi, si introdusse avvolta in un carpet led by Apollodorus shoulders. Caesar reached the apartment the carpet was laid down and rolled left astonished the Roman king. The meeting ended with the reconciliation of the parties but, in reality, the government of Egypt was in the hands of Cleopatra. The queen of Egypt was able to converse without the aid of interpreters, with the Ethiopians, Troglodytes, Syrians, Arabs, Jews, and Medi Parties and many other languages \u200b\u200bincluding, of course, the Egyptian and Greek. Caesar, Cleopatra hit the audacity and cunning, was completely won over by its charm. Cleopatra Caesar took the road along the Nile to show the beauty of Egypt. During the trip the queen becomes pregnant and gives birth to a son male named Ptolemy XV Caesarion and that was the only male heir of Caesar. Caesar, who soon after had to leave for Syria, he could make Egypt a Roman colony like many others, but for the love of Cleopatra, killed Ptolemy XIII drowned in the river making it and left only his beloved queen of Egypt. To stay close to Caesar, but also for political purposes, he moved to Rome, where Cleopatra, however, is inhospitable reception of the Romans.
Cleopatra, by this decision, intended to allow the son Caesarion, when Caesar died, to settle on the throne of an empire as great as that of Alexander the Great was born from the union of Rome with Egypt.
The disappointment of the Roman people born in the senate and disputes arising in the murder of Julius Caesar. Mark Antony, an ally of Caesar, Ptolemy XV Caesarion proclaimed heir of Julius Caesar in front of the Senate, but Octavian is opposed him claiming to be the legitimate successor to the throne.
In this turbulent climate, Cleopatra decides to return to Egypt where he found an economy in crisis and the Egyptian people reduced to slavery by the Greeks who, in turn, lead a luxurious life and power. Cleopatra does not change this setting, but makes it more acceptable to the Egyptians easing taxes and improving the level of life. To boost trade riapre l'antica via carovaniera dal Nilo al mar Rosso facendola proteggere con torri di guardia dislocate lungo il percorso e visibili tra loro in modo da permettere la comunicazione in caso di agguati. Da questa via viene importato il porfido che verrà poi utilizzato dai Romani per costruire le statue degli imperatori.
Nel frattempo Marco Antonio diviene padrone dell'Impero Romano d'Oriente, mentre Ottaviano governa l'Europa Occidentale. Tra i due c'è molta rivalità, ma anche odio che li mette in conflitto più volte. Marco Antonio, per sconfiggere il nemico Ottaviano, ha bisogno dei tesori dell'Egitto e quindi convoca Cleopatra a Tarso, sulla costa turca. Si dice che la loro relazione iniziò dopo che Cleopatra si presentò ad un invito di Marco Antonio in Cilicia su un'imbarcazione dalle vele color porpora, la poppa d'oro e i remi d'argento. La regina, vestita come una Venere e accompagnata dal suono di flauti e liuti, stava distesa all'interno di un baldacchino circondato da amorini. Nel corso dell'incontro, Cleopatra si innamora di Antonio da cui avrà due gemelli, ma che poi deve lasciarla per partire in guerra. Cleopatra saprà del matrimonio del suo innamorato con un'altra donna. In questo momento di dolore e solitudine, Cleopatra riscopre l'antica religione egizia facendosi promotrice di preghiere, riti e donazioni agli Dei ormai abbandonate da anni. Dopo 3 anni, Marco Antonio, nonostante le molteplici insistenze della sua prima moglie Then the second wife Fulvia and Octavia, back to Cleopatra for the riches of Egypt. Cleopatra, too smart to show all his pain, give up the treasures of his kingdom in return for specific promises. So the lands of Arabia, the copper mines of Cyprus, the Sinai, Armenia and the wheat fields around the northern Africa belong to Rome, passing under the Egyptian government. Roma is furious, all the lands conquered by the blood of the Romans ceded to the queen who has never accepted.
Ottaviano advantage of the situation an attack on Mark Antony at the Battle of Actium. Cleopatra, in an unusual manner, follows Antonio fight side by side in the Egyptian vessels, but soon forced to withdraw. Given the progress of the battle Cleopatra retired to Alexandria, he decided to flee from Egypt, but during the preparations for departure, is surprised by Abatei, long subjugated to his power, which prevent the escape. The troops of Octavian, who had meanwhile put to flight the fleet of Mark Antony, threatening approach in Alexandria. Marco Antonio, who took refuge in the palace with Cleopatra kills herself with his sword and dies in the arms of the Queen of Egypt. Fearing that he attempted suicide Cleopatra, Octavian, now master of Alexandria, makes sure that each brought to the queen is carefully controlled. On 12 August 30 BC, however, a farmer can get her a basket of figs that hides a snake. Cleopatra, conscious of the presence of the cobra, is bitten and dies before the arrival of Octavian thus avoiding the humiliation of being defeated. His son was killed by Octavian Caesarion, while the other two twin children disappear without a trace. By this time, Egypt became a mere province of the Roman Empire.
Thursday, August 28, 2008
Touching Sisters Breasts
For philosophers of the Renaissance, the heirs of the lesson of Plato and Aristotle, the soul is divided into three parts: sensory soul, rational and intellectual. The soul seeps
sensory experiences of living (the sulfur) and attempts, as far as possible, to interpret reality based on a synthesis of sensitive data collected by the mind (Mercury) in memory (the salt). In this selection of sensory information (sensory sieve) the soul must not be influenced by processes of rationalization or prearranged selection of information influenced by the social heritage. Instead it happens that the mind, responsible for the process of data processing and interpretation, strongly suggest, manipulated and persuaded by the external information from the education system, education, culture and delal delel social rules, religious and ideological.
E 'for this reason that the alchemists argued the need to "kill" the soul psychic sensory, dominated by fears and passions, to bring out the right side of the brain, the qualities of the rational soul.
The Death of the Virgin ", ovevro of mind influenced by the passions of the heart and the contingencies of the material, is then represented by Raphael and Caravaggio as an act by then iniiziatico.
Our mind understands the world around us according to sua capacità di interpretarla (emisfero sinistro/interprete) e di giudicarla (emisfero destro/senso di sé in rapporto al mondo esterno). La capacità della mente di interpretare e giudicare la realtà è limitata sia dalla quantità che dalla qualità delle esperienze (vissute o virtuali) con cui può confrontarla, sia dei limiti stessi di percezione della realtà da parte dei sensi.
Ogni individuo/artista, in base alla propria esperienza e abilità acquisite attraverso l’educazione, l’istruzione e il training mentale di tradurre i dati percepiti dai sensi in “tesi, ipotesi e sintesi”, vede, intuisce ed elabora cognitivamente una specifica sezione di realtà che ha la peculiarità di evolvere nel tempo, man mano che ulteriori informazioni, dati e sintesi si aggregano ai molteplici frammenti.
E’ sbagliato dire che abbiamo una visione “distorta” della realtà, ma dobbiamo essere consapevoli dei limiti del nostro vedere, spesso giudicato inadeguato e insufficiente da chi opera su specifici livelli di “burocrazia”, ovvero è edotto, informato e specializzato nel riconoscere il “potere” del “sapere consolidato” sul sistema delle credenze e delle conoscenze di base acquisite dall’individuo.
La nostra percezione è sempre giudicata “distorta” rispetto a un modello di riferimento collaudato e ritenuto appropriate for the purposes set rationalizing intellect. "The Castle" Kafka describes perfectly the sense of alienation suffered by the mind in the presence of a rational order that dominates all forms of feeling, reflection and critical individual.
The Renaissance alchemists first described the conflictual relationship between the author of a feeling, perception or opinion and who is "deputy" to receive it, register it and criticize it. The company, through the power of leaders, delegates and advisers, has a right of censorship, and refused to veto that prevents the mind to emerge on the cultural, political or spiritual
To see reality we have to recognize what is real. E 'common belief that reality is defined by law. Laws, they are natural, human or divine, demarcating spaces defined reality. St. Paul said that sin is the law, guilty of preventing direct communication between man and God, from time to time represented, over the centuries, from a religious, political or economic.
The reality is therefore a place of conflict. Conflict between those who express the feelings of the soul and who has every incentive to weaken from a context defined by the increasingly technical language, be it technical, scientific, political or ideological. The language del potere crea la realtà materiale, così come il linguaggio del nostro intelletto (il pensiero) crea la realtà in cui abitiamo.
L’alchimia a questo punto introduce un paradosso importante: la mente deve ritirarsi dai sensi, assumere una condizione di “dormizione”, morire a se stessa e ascendere a un livello superiore, alla "destra del Padre". Per superare i conflitti e non farsi irretire dall’intelletto dominante, la mente deve annullare le sue funzioni tramite lo Yoga e assurgere a una dimensione di Coscienza dell’Io. (mahat/Io Sono).
I Veda affermano:”Superiori alle facoltà dei sensi sono gli oggetti della conoscenza, superiore agli oggetti è la mente, superiore alla mente è l’intelletto, superiore alla mente è il mahat, il senso dell’io, la coscienza di sé. “
Stando così le cose, bisogna contrarre la mente, che è uno strumento e il mezzo per realizzare molteplici concezioni (samkalpa) e pensieri discorsivi (vikalpa), nell’io (ahamkartr).
Abbandonando le attività mentali, sopprimendo la mente, l’alchimista occidentale riconosce nella “dormizione e ascesa al cielo della Vergine” l’atto iniziatico di superamento dell’ego di voler dominare il mondo e la realtà con le parole e il linguaggio (il Verbo di Dio che si fa carne), per far rimanere soltanto l’io, la coscienza di sé shows that alchemy of the soul (the eightfold path of metamorphosis).
"As someone who wants the gold, even if you buy a bracelet, ignore the merits and defects of circular shape, but focuses only on its weight and its color, so we should focus on pure consciousness arises from "Dormition of the mind. And so the Virgin Mary (mind, mother of the Word made flesh and becomes Intellect), renunciation of reality dominated by the technical language (the 12 Apostles of Christ) and ascended into heaven, the Father's right hand, a metaphor for a state of ego-consciousness, which is by its nature, than any hypothesis of critical interpretation and forms of aesthetic judgments exercised by the intellect.
Thursday, August 7, 2008
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Goblet of salvation
probably influenced by alchemical treatises moving more and more towards the end of Quattriocento, Leonardo realized the living image of Sophia: the Mona Lisa.
Mona Lisa in his body synthesizes the processes of transformation of the vegetative, sensitive soul, and then in the intellectual, while his face expresses the passive intellect of the soul (the nous), call greek "Pathetique". Cultivating inner silence (the Mona Lisa is deaf and dumb, while in the same year Raphael painted the suit), the soul intellectual perceives the external world as a reflection of the inner.
Aristotle says that the passive part of the Nous is like a wax tablet on which are engraved the signs of the stylus, and is the heart (the self principled) to transmit data, feelings, memories, emotions, feelings and experiences.
The connection between the brain and the heart "is passive in the activity of introspection, projection, meditation and visualization of images, which takes place in a phenomenon of" feedback "of everything that has been studied, seen and experienced in ' existence.
The artist, immersing himself deeply in the work (the drip tombstone), he created a synthesis unit reality of the "subjective and objective," which is itself an act of knowledge. This act is unique, compelling and can only describe a step in the path of revelation of truth which it bears the soul alchemy. 
probably influenced by alchemical treatises moving more and more towards the end of Quattriocento, Leonardo realized the living image of Sophia: the Mona Lisa.
Mona Lisa in his body synthesizes the processes of transformation of the vegetative, sensitive soul, and then in the intellectual, while his face expresses the passive intellect of the soul (the nous), call greek "Pathetique". Cultivating inner silence (the Mona Lisa is deaf and dumb, while in the same year Raphael painted the suit), the soul intellectual perceives the external world as a reflection of the inner.
Aristotle says that the passive part of the Nous is like a wax tablet on which are engraved the signs of the stylus, and is the heart (the self principled) to transmit data, feelings, memories, emotions, feelings and experiences.
The connection between the brain and the heart "is passive in the activity of introspection, projection, meditation and visualization of images, which takes place in a phenomenon of" feedback "of everything that has been studied, seen and experienced in ' existence.
The artist, immersing himself deeply in the work (the drip tombstone), he created a synthesis unit reality of the "subjective and objective," which is itself an act of knowledge. This act is unique, compelling and can only describe a step in the path of revelation of truth which it bears the soul alchemy.
Pains In Front Of Throat
Bliss knowledge
in its higher phase, the same achieved by Beatrice in the thirteenth heaven, the intellectual soul contains within itself the light of Sophia, the divine spark that is capable of awakening the soul from the dark background vegetative and irrational that constantly crashes. Leonardo did not exist until an artistic image of Sophia was that synthesis of the three sources of experience (Sat / ram), consciousness (Cit / lion) of knowledge and bliss (ananda / Sagittarius).
The image in the top places in the topmost branches of the philosophers to signify the extension of the Neurobiological connections that the soul illuminated by the "Redeemer" fulfilled within the brain. There are therefore three levels of transformation that result in the ability of the soul in action Aries (the instinctual self), in the Lion's creativity in action (the creative self) and knowledge in action of Sagittarius (the cognitive self). This means that all three of the souls involved in the body of philosophical knowledge to the implementation of the One Reality and the multiple Truth. 
in its higher phase, the same achieved by Beatrice in the thirteenth heaven, the intellectual soul contains within itself the light of Sophia, the divine spark that is capable of awakening the soul from the dark background vegetative and irrational that constantly crashes. Leonardo did not exist until an artistic image of Sophia was that synthesis of the three sources of experience (Sat / ram), consciousness (Cit / lion) of knowledge and bliss (ananda / Sagittarius).
The image in the top places in the topmost branches of the philosophers to signify the extension of the Neurobiological connections that the soul illuminated by the "Redeemer" fulfilled within the brain. There are therefore three levels of transformation that result in the ability of the soul in action Aries (the instinctual self), in the Lion's creativity in action (the creative self) and knowledge in action of Sagittarius (the cognitive self). This means that all three of the souls involved in the body of philosophical knowledge to the implementation of the One Reality and the multiple Truth.
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1.1. Source of life
Leonardo's reflection is inspired by the works of Aristotle, who stresses the concept of soul as the source, the source and root of the three worlds of Being. The same interpretation is apparent in the image contained in the Treaty "Rosarium Philosophorum" of around 1440.
"Now for Aristotle's tripartite soul is revealed. It is first and foremost source of life that appears in terms of vegetation (a. birth, growth, biological dynamics), is a source of life that is expressed in sensory (b. movement, perceptions, feelings) and, finally, is the root of the intellectual and rational (vs. knowledge volontà, decisione). Si deve, allora, parlare di un'anima vegetativa, sensitiva , intellettiva".
a) L'anima vegetativa (aquae vitae) rappresenta la sorgente subconscia su cui si innesca la dimensione psichica delle esperienze modellate dal pleroma degli istinti (sopravvivenza, conservazione, adattamento e realizzazione delle condizioni di equilibrio). Nel codice artistico quattrocentesco è rappresentata dalla figura di Eva, emblema della consapevolezza della dimensione materiale dell'esistenza.
b) L'anima sensitiva (acetum fortis) individua la fonte creativa che alimenta l'azione dell'anima che evolve nella conoscenza delle sensazioni (la ninfa Clori), delle emozioni (Flora) e dei sentimenti cognitive (Venus Humanitas). Allegory of Spring Botticelli describes the three stages of evolution of the sensitive soul in Venus, symbol of consciousness (awareness, understanding, knowledge) of feelings of love and conflict.
c) the intellectual soul (lac virginis) supplies the spiritual root from which it can increase knowledge of the multiple levels of awareness generated by the source. The intellectual soul is the part of soul can know the unity of reality and to produce works of human consciousness (Jesus) and spiritual (Christ). 
Leonardo's reflection is inspired by the works of Aristotle, who stresses the concept of soul as the source, the source and root of the three worlds of Being. The same interpretation is apparent in the image contained in the Treaty "Rosarium Philosophorum" of around 1440.
"Now for Aristotle's tripartite soul is revealed. It is first and foremost source of life that appears in terms of vegetation (a. birth, growth, biological dynamics), is a source of life that is expressed in sensory (b. movement, perceptions, feelings) and, finally, is the root of the intellectual and rational (vs. knowledge volontà, decisione). Si deve, allora, parlare di un'anima vegetativa, sensitiva , intellettiva".
a) L'anima vegetativa (aquae vitae) rappresenta la sorgente subconscia su cui si innesca la dimensione psichica delle esperienze modellate dal pleroma degli istinti (sopravvivenza, conservazione, adattamento e realizzazione delle condizioni di equilibrio). Nel codice artistico quattrocentesco è rappresentata dalla figura di Eva, emblema della consapevolezza della dimensione materiale dell'esistenza.
b) L'anima sensitiva (acetum fortis) individua la fonte creativa che alimenta l'azione dell'anima che evolve nella conoscenza delle sensazioni (la ninfa Clori), delle emozioni (Flora) e dei sentimenti cognitive (Venus Humanitas). Allegory of Spring Botticelli describes the three stages of evolution of the sensitive soul in Venus, symbol of consciousness (awareness, understanding, knowledge) of feelings of love and conflict.
c) the intellectual soul (lac virginis) supplies the spiritual root from which it can increase knowledge of the multiple levels of awareness generated by the source. The intellectual soul is the part of soul can know the unity of reality and to produce works of human consciousness (Jesus) and spiritual (Christ).
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Sophia
The Gnostic interpretation
For Gnostic Christians, Sophia was a central element in understanding the cosmological universe. A female figure, similar to the human soul but at the same time one of the female aspect of God and, simultaneously, the Bride of Christ. They believed that it was somehow fallen out of favor, and so, in his despair, he had created or helped create the material world. For the Christian Gnostics, the drama of redemption through Christ Sophia or the Logos is the central drama of the universe: Sophia resides in all of us in the form of Divine Spark, and Christ was sent to earth to free her and bring her to the presence of the First Father, the unknowable God.
anxiety and fear of Sophia losing their lives (just as he lost the light of the One), caused the confusion and longing to return to him. Because of this desire, the subject (greek: hyle) and soul (greek: psyke) had accidentally existence through the four elements: fire, water, earth and air. The creation of the Demiurge from the lion's head was an error committed during this exile. According to some Gnostic sources, it was the product of Sophia, who tried to lay alone without her male counterpart. The Demiurge proceeded, then, in the creation of the physical world in which we live, ignorant of Sophia, which, however, managed to infuse some spiritual spark or pneuma in the creation of the Demiurge.
After these events, the Redeemer (Christ) came back and allowed her to see the light again, bringing it to the attention of the spirit. Christ was then sent to earth in the form of man, Jesus, to give men the gnosis that they needed to break free from the material world and return to the spiritual world. Note that, in Gnosticism, the Gospel story of Jesus is itself allegorical: he is living in a historical context, but the Mystery Inside used as an introduction to gnosis. (From Wikipedia)
The interpretation of Leonardo Leonardo
Even with Botticelli, participates actively in the debate launched by the philosopher Marsilio Ficino on 'origin of Sophia, by which it was intended describe the full knowledge of the processes of the soul fall in the world of matter and his subsequent desire to go back into the light of God's soul conocenza it opens the doors of Philosophy and allows the artist to understand the defects and virtues of human nature and its transcendent potential.
Leonardo summarizes studies of the soul from observation. The salient feature of the human soul is to be active, with quality and different ways in the three worlds: the world of matter, the world of feelings and the world of ideas. In each of these universes, streamlining regarded as separate from the intellect (the Demiurge), but in fact contiguous inner experience, the soul progresses through three levels of "Fire" awareness of reality, awareness of feelings of love and conflict, and knowledge of multiple truths that are part of the one spiritual reality: Sophia.
Leonardo's reflection is inspired by the works of Aristotle, who stresses the concept of soul as the source, the source and root of the three worlds of Being.
"Now for Aristotle's tripartite soul is revealed. It is first and foremost source of life that appears in terms of vegetation (a. birth, growth, biological dynamics), is a source of life that is expressed in sensory (b. movement, perceptions, feelings) and, finally, is the root of the intellectual and rational (c. knowledge, will, decision). It must, then, to speak of a vegetative soul, sensitive, intellectual. "
a) The vegetative soul (aqua vitae) is the source on which the subconscious triggers the psychic dimension of experiences shaped by pleroma instincts (survival, conservation, adaptation and implementation of the conditions of equilibrium). In the code-century art is represented by the figure of Eve, the symbol of awareness of the material dimension of existence.
b) The sensitive soul (Acetum fortis) identifies the creative source that feeds the action of the soul in the knowledge that evolves sensations (the nymph Chloris), emotions (Flora) and cognitive feelings (Venus Humanitas). Allegory of Spring Botticelli describes the three stages of evolution of the sensitive soul in Venus, symbol of consciousness (awareness, understanding, knowledge) of feelings of love and conflict.
c) the intellectual soul (lac virginis) supplies the spiritual root from which it can increase knowledge of the multiple levels of awareness generated by the source. The intellectual soul is the part of soul can know the unity of reality and to produce works of human consciousness (Jesus) and spiritual (Christ). In its higher phase, la stessa raggiunta da Beatrice nel tredicesimo cielo, l'anima intellettiva racchiude dentro di Sè la luce di Sophìa, ovvero la scintilla divina capace di risvegliare l'anima vegetativa dal fondo buio e irrazionale in cui incessantemente precipita. Non esisteva fino a Leonardo una immagine artistica di Sophìa che fosse sintesi delle tre fonti dell'esperienza (Sat/ariete) , della coscienza (Chit/leone) e della beatitudine della conoscenza (ananda/sagittario).
L'immagine in alto la colloca all'interno della chioma dell'albero dei filosofi a significare l'estensione dei collegamenti neurobiologici che l'anima illuminata dal "Redentore" realizza all'interno del cervello. Esistono quindi tre gradi transformation of the soul in action that result in the ability of Aries (the instinctual self), in the Lion's creativity in action (the creative self) and knowledge in action of Sagittarius (the cognitive self). This means that all three of the souls involved in the body of philosophical knowledge to the implementation of the One Reality and Truth of the many.
probably influenced by alchemical treatises moving more and more towards the end of Quattriocento, Leonardo realized the living image of Sophia: the Mona Lisa.
Mona Lisa in his body synthesizes the processes of transformation of the vegetative soul, soul sensitiva e infine nell'anima intellettiva, mentre il suo volto esprime la parte passiva dell'intelletto dell'anima (il Nous), chiamata in greco "Patetica". Coltivando il silenzio interiore (Monna Lisa è sordomuta, mentre nello stesso anno Raffaello dipinge la Muta), l'anima intellettiva percepisce il mondo esterno come un riflesso di quello interiore.
Aristotele afferma che la parte passiva del Nous è come una tavoletta di cera sulla quale si incidono i segni della stilo, ed è il cuore (il sè principiale ) a trasmettere dati, sensazioni, ricordi, emozioni, sentimenti ed esperienze.
Il collegamento tra il "cervello e il cuore" avviene nell'attività passiva di introspezione, proiezione, Meditation and visualization of images, which takes place in a phenomenon of "feedback" of everything that has been studied, seen and experienced in life.
The artist, immersing himself deeply in the work (the drip tombstone), he created a unified synthesis of reality "subjective and objective," which is in itself an act of knowledge. This act is unique, compelling and can only describe a step in the path of revelation of truth which it bears the soul alchemy. 
The Gnostic interpretation
For Gnostic Christians, Sophia was a central element in understanding the cosmological universe. A female figure, similar to the human soul but at the same time one of the female aspect of God and, simultaneously, the Bride of Christ. They believed that it was somehow fallen out of favor, and so, in his despair, he had created or helped create the material world. For the Christian Gnostics, the drama of redemption through Christ Sophia or the Logos is the central drama of the universe: Sophia resides in all of us in the form of Divine Spark, and Christ was sent to earth to free her and bring her to the presence of the First Father, the unknowable God.
anxiety and fear of Sophia losing their lives (just as he lost the light of the One), caused the confusion and longing to return to him. Because of this desire, the subject (greek: hyle) and soul (greek: psyke) had accidentally existence through the four elements: fire, water, earth and air. The creation of the Demiurge from the lion's head was an error committed during this exile. According to some Gnostic sources, it was the product of Sophia, who tried to lay alone without her male counterpart. The Demiurge proceeded, then, in the creation of the physical world in which we live, ignorant of Sophia, which, however, managed to infuse some spiritual spark or pneuma in the creation of the Demiurge.
After these events, the Redeemer (Christ) came back and allowed her to see the light again, bringing it to the attention of the spirit. Christ was then sent to earth in the form of man, Jesus, to give men the gnosis that they needed to break free from the material world and return to the spiritual world. Note that, in Gnosticism, the Gospel story of Jesus is itself allegorical: he is living in a historical context, but the Mystery Inside used as an introduction to gnosis. (From Wikipedia)
The interpretation of Leonardo Leonardo
Even with Botticelli, participates actively in the debate launched by the philosopher Marsilio Ficino on 'origin of Sophia, by which it was intended describe the full knowledge of the processes of the soul fall in the world of matter and his subsequent desire to go back into the light of God's soul conocenza it opens the doors of Philosophy and allows the artist to understand the defects and virtues of human nature and its transcendent potential.
Leonardo summarizes studies of the soul from observation. The salient feature of the human soul is to be active, with quality and different ways in the three worlds: the world of matter, the world of feelings and the world of ideas. In each of these universes, streamlining regarded as separate from the intellect (the Demiurge), but in fact contiguous inner experience, the soul progresses through three levels of "Fire" awareness of reality, awareness of feelings of love and conflict, and knowledge of multiple truths that are part of the one spiritual reality: Sophia.
Leonardo's reflection is inspired by the works of Aristotle, who stresses the concept of soul as the source, the source and root of the three worlds of Being.
"Now for Aristotle's tripartite soul is revealed. It is first and foremost source of life that appears in terms of vegetation (a. birth, growth, biological dynamics), is a source of life that is expressed in sensory (b. movement, perceptions, feelings) and, finally, is the root of the intellectual and rational (c. knowledge, will, decision). It must, then, to speak of a vegetative soul, sensitive, intellectual. "
a) The vegetative soul (aqua vitae) is the source on which the subconscious triggers the psychic dimension of experiences shaped by pleroma instincts (survival, conservation, adaptation and implementation of the conditions of equilibrium). In the code-century art is represented by the figure of Eve, the symbol of awareness of the material dimension of existence.
b) The sensitive soul (Acetum fortis) identifies the creative source that feeds the action of the soul in the knowledge that evolves sensations (the nymph Chloris), emotions (Flora) and cognitive feelings (Venus Humanitas). Allegory of Spring Botticelli describes the three stages of evolution of the sensitive soul in Venus, symbol of consciousness (awareness, understanding, knowledge) of feelings of love and conflict.
c) the intellectual soul (lac virginis) supplies the spiritual root from which it can increase knowledge of the multiple levels of awareness generated by the source. The intellectual soul is the part of soul can know the unity of reality and to produce works of human consciousness (Jesus) and spiritual (Christ). In its higher phase, la stessa raggiunta da Beatrice nel tredicesimo cielo, l'anima intellettiva racchiude dentro di Sè la luce di Sophìa, ovvero la scintilla divina capace di risvegliare l'anima vegetativa dal fondo buio e irrazionale in cui incessantemente precipita. Non esisteva fino a Leonardo una immagine artistica di Sophìa che fosse sintesi delle tre fonti dell'esperienza (Sat/ariete) , della coscienza (Chit/leone) e della beatitudine della conoscenza (ananda/sagittario).
L'immagine in alto la colloca all'interno della chioma dell'albero dei filosofi a significare l'estensione dei collegamenti neurobiologici che l'anima illuminata dal "Redentore" realizza all'interno del cervello. Esistono quindi tre gradi transformation of the soul in action that result in the ability of Aries (the instinctual self), in the Lion's creativity in action (the creative self) and knowledge in action of Sagittarius (the cognitive self). This means that all three of the souls involved in the body of philosophical knowledge to the implementation of the One Reality and Truth of the many.
probably influenced by alchemical treatises moving more and more towards the end of Quattriocento, Leonardo realized the living image of Sophia: the Mona Lisa.
Mona Lisa in his body synthesizes the processes of transformation of the vegetative soul, soul sensitiva e infine nell'anima intellettiva, mentre il suo volto esprime la parte passiva dell'intelletto dell'anima (il Nous), chiamata in greco "Patetica". Coltivando il silenzio interiore (Monna Lisa è sordomuta, mentre nello stesso anno Raffaello dipinge la Muta), l'anima intellettiva percepisce il mondo esterno come un riflesso di quello interiore.
Aristotele afferma che la parte passiva del Nous è come una tavoletta di cera sulla quale si incidono i segni della stilo, ed è il cuore (il sè principiale ) a trasmettere dati, sensazioni, ricordi, emozioni, sentimenti ed esperienze.
Il collegamento tra il "cervello e il cuore" avviene nell'attività passiva di introspezione, proiezione, Meditation and visualization of images, which takes place in a phenomenon of "feedback" of everything that has been studied, seen and experienced in life.
The artist, immersing himself deeply in the work (the drip tombstone), he created a unified synthesis of reality "subjective and objective," which is in itself an act of knowledge. This act is unique, compelling and can only describe a step in the path of revelation of truth which it bears the soul alchemy.
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